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Landarea: 6, square feet. Numberofbedrooms: 3 Airconditioning: Yes Airconditioning: Yes. We found 6 results for Jan Wisniewski in Whois Records. Jan Wisniewski registered "janpawelw. Jan Wisniewski registered "annawisniewska. Jan Wisniewski registered "seldenlab. Jan Wisniewski registered "niegotujwdomu. Jan Wisniewski registered "dragonballsg.

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Registrant Address: Hochfeldstr. Jan Wisniewski registered "blngblng. COM CO. Registrant Address: Osloer Str. Court Records found for Janet Marie wisniewski Most court records consist of civil records only.


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Court Records found for Jan Wisniewski Most court records consist of civil records only. Court Records found for Jane Wisniewski Most court records consist of civil records only. Court Records found for Janel Wisniewski Most court records consist of civil records only. Court Records found for Janet Wisniewski Most court records consist of civil records only. Court Records found for Janice Wisniewski Most court records consist of civil records only. Sister Stanisia was born in Chicago. Her talent developed early and was recognized by Prof. Zukotynski, who proceeded to give her instructions.

For seven or eight years she remained under his supervision and was well grounded in the continental methods and technique of her celebrated teacher. On his death so great was the progress she made, she was called upon to finish some of his work. She studied with Ralph Clarkson, Frank C. Peyrand, John Norton and Albin Polasek.

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St; Stanislaus' Frescoes Restored As his most talented pupil, Sister Stanisia was entrusted, as one best qualified, to restore the frescoes of St. Sister Stanisia worked long and conscientiously in the Church of St. Stanislaus ; the work entrusted to her, she executed with real piety. First of all she prepared a whole series of sketches of the paintings to be restored, and after having studied them in detail, undertook to repaint them.

This was tedious and difficult work. Some parts of the paintings had to be gone over seven or eight times, and required great care and skill in order to retain faithfully, the characteristics of the original. The restoration of the murals in the presbyterium and naves of Saint Stanislaus' is a great and beautiful achievement which brings her honor and associates her name and her art with the famous one of Zukotynski— a name that the Poles of Chicago will never forget. Their superbly beautiful colors came to life again, strangely harmonious, pleasing, peaceful, and yet strong and sure.

Fresco painting, in which the design is drawn and painted on wet plaster is extremely difficult to preserve in its original state, and constant restoration is being made of some very famous ones. Among others, Sister Stanisia restored those at St.

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Hyacinth's and at Holy Cross Church. Bulliet in an article in the Chicago Daily News of March 14, , says : "Sister Stanisia is perhaps the most widely known of woman painters throughout the Catholic world, in the United States and Europe. She became internationally established when she exhibited four paintings at the religious art show in connection with the Eucharistic Congress in Chicago in — a painting of the "Little Flower," a portrait of Bishop J. Noll of Fort Wayne and two Madonnas. Commissions began coming to her immediately for altar pieces, devotional works, portraits and murals.

Murals and paintings of her are in St. Luke's, St. Paul, Minn. Joseph's hospital, St. Marga- ret's church and Holy Cross church, Chicago.

These are but several of the seventeen churches in which she painted. A portrait of Gov. Horner was seen by multitudes in the Hall of States at A Century of Progress and now hangs in the governor's executive mansion in Springield, Illinois. Lennon, a newspaper interviewer, on a visit to her studio in com- menting on her work remarked :" This is particularly well shown in the detail of the clothing of the figures — in the brilliant sheen of shimmering silks and the lustrous softness of rich velvet.

Czekala, a parishioner, to mention but a few — Sister Stanisia doesn't hesitate to use human models for her religious paintings. Raphael, it may be remembered, used for his Sistine Madonna a beautiful Roman girl, a daughter of a baker. While "The American Madonna" glorifies the Virgin Mary in an attitude of profound humility, nobility and grace, it also portrays and even im- mortalizes the ideal American girl in all her beauty, sanctity and idealism.

Though this may have supplied the theme, Sister Stanisia has unquestiona- bly woven into it some of her own piety and her own devotion. Only one who possesses the innermost depths of piety would give us such a human, yet divine expression as is to be seen in the face of "The American Madon- na. Paul, Florida and California. A recital of her wordly honors is against the expressed wishes of Sister Stanisia, who is devoted first to her religious duties and afterward to her brushes and paints.

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While she will talk pleasantly and even with flashes of humor about her art aims, when it comes to personal matters she sidesteps her interviewers. It becomes necessary to go to the "records," chiefly news- paper clippings and exhibition catalogues, to learn facts about her. Fortunately, from the outset of her career, so interesting has she been from the "news angle" — a painter of unusually fine talent developing in the sheltered circles of a nunnery— that the records are fairly complete.

The world is entitled to them, to the way of thinking of a sympathetic heathen like myself. Fra Angelico lived a sequestered life, too, but the eager biographers have been as curious about him as about the worldly minded Raphael.


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Just as she still does secular portraits, so Sister Stanisia devotes a part of her studio time to landscape. In , Sister Stanisia was awarded a silver medal in the international fair at Warsaw, capitol city of the Poland where Count Zukotynski, her dis- coverer, originated. Harriet and Walter Krawiec It is difficult to write about Harriet Krawiec alone, for her life and her work is closely associated with that of her husband.

At the age of 14, Harriet was taken by her mother, Mrs. Later she continued her art studies at the Art Institute. She is primarily a wife and mother, painting what is nearest at hand and in her leisure moments— mainly flowers and still life arrangements.

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Occa- sionally she paints the out-of-doors, but only that bit which she can see from her windows— just a little way down the street— or in her garden. She leaves to her husband the big out-of-doors, the horses, the fires, the circuses and the portraits. And yet she has kept pace with him as they gained recognition and honor through the years.

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In both gained recognition at the Art Institute of Chicago and have not only been represented in the exhibitions every year during the past ten years, but in were specially invited to have a one-man show. An entire room was filled with only their paintings — an honor rare indeed in Chicago. They are both members of the very select Chicago Galleries Association, which invites into its membership only outstanding artists of recognized reputation. In addition, 'their work was exhibited in the following important galleries throughout the United States: Corcoran Gallery, Washington, D.

Their paintings are found in special museums and private collections. One of Mrs. Krawiec's paintings is in the permanent state collection in the State Museum, Springfield, Illinois. The city of Chicago owns three of Mr. Kra- wiec's. Their progress in technique and manner has been matter for recognition during the last several years. Today, their achievement places them at the head of any important group of painters, no matter where found.

Krawiec has become particularly interested in the possibilities of the circus as painting material. Krawiec concerns herself with flowers and still life arrangements. She has ability, sound technique and good craftsmanship. Her work is eminently fine. Her sense of design is beautifully developed and she injects a personal feeling into even the simplest of her conceptions which lifts them at once out of the commonplace. One can take nothing but pleasure in a closer acquaintance with her excellent modeling and perfect relationship of color.

Krawiec deserve special mention. His Holiness, the Pope, had been kind enough to make a complimentary comment about both the work and the artist which Mr.

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